Born in Buenos Aires, Argentina, Fabián Schofrin studied cello and voice before moving to Europe in 1993, where he has since devoted himself to the performance of 17th- and 18th-century music. As a singer, he has collaborated with leading ensembles specializing in this repertoire, including Les Arts Florissants, conducted by William Christie, among others. Since 2005, he has been a founding member of the ensemble Cappella Mediterranea, directed by Leonardo García-Alarcón, with whom he has taken part in numerous productions and recordings, both as a singer and as the artistic director of recordings. As musical and artistic assistant, he has collaborated on the following productions under the musical direction of Leonardo García-Alarcón: La Guerra de los Gigantes by Durón, staged by Gustavo Tambascio (Teatro de la Zarzuela, Madrid, 2016); Eliogabalo by Cavalli, staged by Thomas Jolly (Opéra de Paris, Palais Garnier, 2016/ Dutch National Opera & Ballet, Amsterdam, 2017); Il Giasone by Cavalli, staged by Serena Sinigaglia (Grand Théâtre de Genève, Opéra des Nations, 2017/ Opéra Royal de Versailles, 2018); Erismena by Cavalli, staged by Jean Bellorini (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2017/ Théâtre Gérard Philipe, 2018/ Grand Théâtre de Luxembourg, 2019); El Prometeo Draghi, staged by Laurent Delvert, based on an idea by Gustavo Tambascio (Opéra de Dijon, 2018); King Arthur by Purcell, staged by Marcial Di Fonzo Bo (Grand Théâtre de Genève, Opéra des Nations, 2018); Médée by Charpentier, staged by David McVicar (Grand Théâtre de Genève, 2019); Les Indes Galantes by Rameau, staged by Clément Cogitore (Opéra National de Paris, Opéra Bastille, 2019) and by Lydia Steier (Grand Théâtre de Genève, 2019); Alcina by Handel, staged by Serena Sinigaglia (Opéra National de Lorraine, Nancy, 2020); La finta pazza by Sacrati, staged by Jean-Yves Ruf (Opéra de Dijon, 2019/ Opéra Royal de Versailles, 2019–2022/ Concertgebouw Amsterdam, 2022); Il palazzo incantato by Rossi, staged by Fabrice Murgia (Opéra de Dijon, Opéra National de Lorraine, Nancy/ Opéra Royal de Versailles, 2021); L’incoronazione di Poppea by Monteverdi, staged by Ted Huffman (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2022/ Palau de les Arts Reina Sofía, Valencia, 2023/ Opéra de Toulon, 2023); Il ritorno d’Ulisse in patria by Monteverdi, staged by Pierre Audi (Festival d’Aix-en-Provence, Théâtre du Jeu de Paume, 2024); I Grotteschi (Monteverdi), staged by Rafael Villalobos (Opéra Royal de La Monnaie, 2025); as dramaturg: Ercole amante by Antonia Bembo, staged by Netia Jones (Opéra de Paris, Opéra Bastille, 2026).
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