Since his participation in William Christie’s “Jardin des Voix” with Les Arts Florissants, baritone Victor Sicard has sung with the most renowned ensembles: Le Concert d’Astrée (Emmanuelle Haïm), Les Accents (Thibault Noally), Le Concert Spirituel (Hervé Niquet), Aedes (Mathieu Romano), Le Poème Harmonique (Vincent Dumestre), Vox Luminis (Lionel Meunier), Cappella Mediterranea (Leonardo García Alarcón), Insula Orchestra (Laurence Equilbey) and Il Pomo d’Oro (Maxim Emelyanychev).
Highlights of the 2024/25 season included Rinaldo with Les Accents at the Beaune Festival, the role of Roberto in the world re-creation of Galuppi’s L’uomo femina with Le Poème Harmonique (directed by Agnès Jaoui) in Dijon, Versailles, Caen, Madrid and Barcelona, as well as Le Rossignol and Les Mamelles de Tirésias at the Cologne Opera.
His opera repertoire includes Adario in Rameau’s Les indes Galantes, Tisiphone in Mondonville’s L’Amour et Psyché, Dr. Falke inDie Fledermaus, Farnace in Scarlatti’s Il Mitridate Eupatore, Count Almaviva in Le nozze di Figaro, Haly in Rossini’s L’italiana in Algeri, Yamadori in Madama Butterfly, Demetrius in Britten’s A Midsummer Night’s Dream und Orlando in Rossi’s Il palazzo incantato.
His oratorio repertoire includes Mozart’s Requiem (Royal Albert Hall), Rossini’s Petite Messe solennelle (Théâtre de Caen, Opéra de Massy), Duruflé’s Requiem (Opéra de Dijon) and Bach’s St John Passion (Insula Orchestra and Laurence Equilbey), among others.
In the midst of an abundant discography, his first recital disc (La Música label), devoted to Ravel’s melodies with pianist Anna Cardona, was enthusiastically received by the press.